#Tom anderson guitars thousand oaks serial#
#Tom anderson guitars thousand oaks plus#

Not dissing a Princeton at all, played through many and they are great sounding amps. You've got a Line 6 setup, I haven't used one much but friends gig with them and they sound really good to me. I don't miss the tube amps, not for tone and certainly not for reliability. I also have a Tech 21 Tri-AC pedal (Sansamp) that is a go-to for recording both guitar and bass. And stuff I am probably forgetting.Д¬urrently I own and gig a Boss Katana 100 combo, a Roland Cube 40GX, Peavey Vypyr VIP 1 and 3, a recent Peavey Envoy 110 and a red stripe Peavey Transtube 258 EFX.

#Tom anderson guitars thousand oaks plus#

Plus a hand wired true point to point converted Hammond organ amp done up as a modified Fender 5D3 circuit and another converted hi-fi amp wired as a Vox AC-15 Top Cut channel with an EF86 preamp tube.

#Tom anderson guitars thousand oaks serial#

I've owned several vintage Fender Tweed amps, Deluxes and one Harvard, some Valco, Kay, Danelectro/Silvertone, a Rivera-era Fender Concert, a pair of Champ chassis with consective serial numbers, a Bassman, a converted McGowan PA head, a vintage Gibson, an Orpheus, 9 Mesa Boogies, an Allen Accomplice and a Red Plate Blues Machine. He tells me I now need to own a Princeton.muttered something about tubes. My bandmate and good friend Stan Cotey works at Fender. Honestly, I think your Melody Maker is one of the best designs Gibson has ever produced.

I need to get her up and running but that one's a keeper. Then, a multi-boogered late 50's early 60's single cutaway Melody Maker appeared in my life. Figured there was only going to be one of those in my world and I can get another guitar. Kept the pickups and the bolts, stuck a set of P-90s in it and traded it for a hand wired true point to point 'clone' of a 1958 Vox AC-15 Top Cut amp mounted in a vintage hi-fi chassis. Clarity, deep bass and SUSTAIN for days!! Less fiddley changing strings too.

I used washers to set the action, put the bolts in tight but not firm, strung it up, did the intonation thang and clamped it down. I have some stainless steel round head hex drive bolts that fit the threads of the tailpiece mount. It reminded me of how great the wraparound tailpiece/bridge sounds. Mine came with EMG pickups installed so it was nice and quiet. They are really great guitars.Eh.whaddayagonnado? Had to have P90s, right?Дў014 Gibson Melody Maker!!! Essentially similar to the Les Paul Custom Lite they made that year but with less gingerbread. All but two of mine are from them, and the two that are not were private sales.Д«TW, I have six and have been through a dozen or so Andy's. it just depends on the store and circumstance) His prices are quite fair too.Дave Thomas at Richmond Music is exactly like Jack. Depending upon the store it will take at least three and up to six months for a guitar. Jack at Northeast Music is totally objective and helps you discover the guitar that fits your tone needs and playing needs. But there are a few out there that are not. From what I have read above, all the dealers listed thus far are pretty objective. But some are a little slanted towards what they like. To your question, all the dealers are quite good at helping with the guitars. So yes, technically when you buy one off the rack you are getting 'someone else's spec.' But not necessarily a customer specific spec. Occasionally, a customer backs out of a spec'd guitar. Now that said, if a customer wants a guitar a particular way, they can spec it and fill one of the stores slots with that spec. So for example, you'll find that there is a Anderson Dealer that might spec more guitars with a 1 11/16 nut than others, or SSH design, or more Classics than Drop Tops, etc, as they are selling 'what sells' in their market. They can fill it with a custom order or spec it for their market. Stores get 'build slots' for spec'ing a guitar. Really kind of Yes and No on this reply.ДЄnderson makes about three guitars a day.